展覽回顧Past Exhibitions

共生──新進典藏前導展

杉浦康益《牡丹》
杉浦康益《牡丹》
杉浦康益《牡丹》、陳建發《樂園》
杉浦康益《牡丹》、陳建發《樂園》
杉浦康益《牡丹》、許雨仁《彩墨系列之四十九》
杉浦康益《牡丹》、許雨仁《彩墨系列之四十九》

名稱 共生──新進典藏前導展

類型 展覽 類型檢索

時間 2019/12/31 09:00 ~ 2020/05/12 17:00 時間檢索

地點 2館2樓展覽室E 地點檢索

  • 本次「共生──新進典藏前導展」,從本年度的新進典藏品,藉由三件分別代表寫實、寫意水墨與立體雕塑的眼光出發,重新返盼植物予人的生命經驗。作品所傳遞的不僅以物比擬藝術家的自我生命的反思,而是在與植物創造的對話之間,尋找自然界於生滅之際,消縱卻永恆的時間裂縫。如同杉浦康益諾大的《牡丹》視微知著,以近觀方式凝視,端詳自氣根至花蕊的滋長流動,感受盛美的一刻,與花落的瞬間;陳建發的枯葉宛如悲劇主角的關鍵特寫,無法抵擋的老去,然而微觀其中,卻也可見其已然成為滋養自然的《樂園》;許雨仁的《彩墨系列之四十九》於遠眺自然的靜謐之中發覺如風的筆觸,好似時光隧道中的破口,一切終將歸於自然。因此,寫實性與精神性之姿、綻放與枯萎的輪迴,皆於其中「共生」。

    Treating three brilliant works (i.e. a 3D sculpture and two ink wash paintings respectively in the claborate and freehand style) selected from the newly acquired items of the Tainan Art Museum’s collection as the point of departure, Co-exist—A Preliminary Exhibition of the Latest Collections journeys across the human life experiences offered by plants. Meanwhile, the exhibits not only draw analogies between objects and the artists’ reflections on their own lives, but also seek to discover the natural cracks in time as eternal as ephemeral via meaningful dialogues with plants. Sugiura Yasuyoshi’s Peony gives an impression of grandeur with tiny clues. Taking a closer look at this work, the visitors may discern the elegant flow of vigor from the aerial roots to the pistils, and find visceral delight in witnessing the peonies blooming and withering. Bearing more than a passing resemblance to a tragedy that opens on a tight close-up of the wilted leaves, Chen Chien-Fa’s painting vividly illustrates the ineluctable aging and decline. Observing this work from a microscopic perspective, however, the visitors can see that the withered lotus has turned into a paradise in which lives are nurtured and ready to thrive. Hsu Yu-Jen’s Aquarene Painting Series—No. 49 features his brushstrokes every bit as brisk as wind dancing in the composition of a natural landscape that basks in peace and tranquility, which makes the visitors feel like they’re traveling back in time and communing with nature. Thus, the realistic and spiritual depictions, as well as the cycle of blooming and withering, form a mesmerizing, symbiotic relationship in this exhibition.

  • 杉浦康益Sugiura Yasuyoshi、許雨仁Hsu Yu-Jen、陳建發Chen Chien-Fa(依中文姓名筆劃排序)