展覽回顧Past Exhibitions

【申請展】楊翠華油畫個展–自然視界

楊翠華油畫個展–自然視界主視覺
楊翠華油畫個展–自然視界主視覺

名稱 【申請展】楊翠華油畫個展–自然視界

類型 展覽 類型檢索

時間 2022/09/16 10:00 ~ 2022/10/16 18:00 時間檢索

地點 1館1樓展覽室A、1館1樓工作坊 地點檢索

  • 此次個展以台灣的山林、海域、溪谷流水為主題,擷取台灣本土的自然景觀為元素,這些元素有巍然屹立的山峰、波濤洶湧的海景或山石峽谷中的清澈的流水。觀察四季的變化中,隱含著宇宙生命的歷程,為萬物帶來豐沛的能量,創作者透過畫筆、油彩以寫實的方式,詮釋譯天地之間景物,呈現台灣的獨特風情及豐富的生命力。作品中傳達對台灣土地的感動,引領觀賞者進入台灣秀麗的自然「視界」。

     

    As setting the theme of mountain forests, sea areas, and running water in valleys, this solo exhibition captures the natural landscape in local Taiwan as the elements, including the mountain peaks that stand out majestically, choppy sea views, or the clear water running across rock canyon. Through the artist’s observation of seasonal changes, the world implies life history in the universe and brings abundant energy to everything on earth. The artist interprets landscapes between earth and sky through brushes and oil paints, presenting Taiwan’s unique colors and rich vitality. Her artworks convey the touching sensation inspired by the land of Taiwan, guiding viewers to the natural “Vision” of beautiful Taiwan.

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    楊翠華 1958年出生於台南市,台南應用科大美術系碩士班畢業,東方設計大學美術工藝系兼任講師。

     

    創作者在大自然的表象微觀中、在山水物象氛圍間,探索自然與生命的內涵,發掘天地間的風情與特有的生命力。在生活當中隨緣選取本土的自然生機,再藉由彩筆呈現萬物之象,在光影、色彩、情境間遊走探尋真善美。用屬於自己的觀點與體悟去詮釋自然,藉由寫實繪畫方式記錄山林蒼勁及澗水長流的宏觀視界,在種種物象氛圍間,探索自然的內涵、表達天地的情感;在寧靜的人生與平淡雋永的創作生活中,期許對藝術的不懈追求,能在描繪大自然的書頁中,留下悄悄的一行。

     

    Yang Tsui-Hua was born in Tainan in 1958,
    MFA from Tainan University of Technology,Adjunct Lecturer of the Department of Arts and Crafts at Tungfang Design University。

     

    From the natural microscopic appearance and the landscape atmosphere in mountains and the sea, the artist explores nature and the meaning of life, discovering the colors and the unique vitality between earth and sky. Randomly selecting the local natural vigor in life, the artist demonstrates all things on the earth through her painting brushes, wandering among light and shadow, colors, and scenarios to seek the truth, the goodness and the beauty. With her perspectives and comprehension of interpreting nature, the artist records the vigor of greenness and the mountains’ long-flowing stream water in macrocosm through realistic paintings, probing natural connotations and expressing her feelings for the world among the atmosphere of all things. In her peaceful life and plain yet perpetual creation, the artist expects to pursue arts unremittingly and quietly leave a touch of color in the pages of painting nature.

  • 1

    〈 山(一)/ Mountains 〉

     

    此次『自然視界』油畫個展的作品,是以寫實方式將主題真實呈現,創作者使用油彩繪圖,是因為特別喜歡油彩本身的材質和效果。油彩繪畫可以呈現多變的色彩與細膩的質感,有利於傳達豐富多樣的台灣特色與自然景物的明暗層次,帶給創作者多元的繪畫空間。

    對創作者而言,寫實油畫創作的優點是經得起重複疊色、多次修正,寫實創作需要的是耐心,反覆的琢磨上色,一步一步慢慢去完成自己期望的效果。

     

    畫寫實的作品對創作者而言,彷彿修煉人的心性般,需要有平靜踏實的情緒,用十分安定的步調,以自然貼切的技法,表現自己想表達的意境。

    每一張作品的完成,都是要經過時間的蘊釀,不求速成,但求每一筆都要用心經營,明暗、色彩與構圖的安排都是創作時思考的重點。

    2

    〈 水與石的樂章 / Water and Stone Movements 〉

     

    寫實作品靠的是視覺傳遞美感,寫實繪畫語言的美妙之處是畫家可以用個人的表達方式,形成個人的獨特意境,藉由寫實繪畫,傳達較為大眾接受的精神內涵。

    藝術創作的內容與各種變化、應用存乎一心,透過藝術創作的個人修為,寫實繪畫創作內容與創作方法在靈活應用下,可以自由千變萬化;亦可以多元化解讀或為傳統做應證,創作者希望以台灣的特有自然元素作為題材,讓作品呈現具有台灣特色的自然風格。

     

    The artworks of the current oil painting solo exhibition—Natural Vision, present the topics through realistic techniques. The artist employs oil painting because she particularly loves the texture and effect of oil paints that can perform multicolored outcomes with subtle texture, which is helpful to deliver various Taiwanese features and the layers of light and dark in natural scenery, bringing the artist diverse painting space.

    To the artist, the pros of realistic oil painting are the capacity of color overlapping with repeated corrections; it requires patience to conduct realistic painting, using the technique to grind the picture out and gradually achieving the expected outcomes. 

    Realistic artworks for the artist are like challenges that refine one’s mentality; it needs calm and practical emotions with an extremely settled pace to present the artistic conception that the artist desires to show using natural and appropriate manners.

    The completion of each work takes time to develop. Artists cannot urge to speed up the process; instead, it requires conducting each stroke wholeheartedly. Light and dark, coloring, and compositions are the points that need to consider during the process.

    Realistic paintings rely on visuals to deliver aesthetics, and the beauty that realistic paintings convey is that artists can form a unique personal artistic conception through the ways they intend to exhibit. The spiritual connotations shown in realistic paintings are more likely for the public to understand and accept.

    The painting content, diversification, and applications of artistic creation exist in the wholehearted mindset. Through the personal morals cultivated by artistic creation, the flexibility of applying various contents and creative manners in realistic painting generates myriads of presenting ways, allowing artists to use them arbitrarily and interpret the works diversely or as a reflection of tradition. The artist aspires to take the natural elements in Taiwan as her painting topics, exhibiting the artworks with natural styles of Taiwan features.