「實構築」，建築從虛構到實踐的過程。

本次展覽以「Non-Parallel: [ 無 ] 平行」為主題，旨在呈現疫情解封後，從 2022 年至 2024 年間完工的建築作品。透過展示這些作品，我們將揭開建築背後不同建築單位——建築師、營造廠、業主——之間多重宇宙的交互狀態。展覽將勾勒出一個看似平行卻環環相扣的實構築世界，這些「平行」狀態不僅反映了臺灣當下的現實，更是臺灣社會的縮影。

本次展覽所挑選的19件作品，各自反映了當代社會所面臨的各種議題的真實面對。觀者可以從這些建築作品中看見建築師、營造廠與業主在面對這些議題時的不同角度和立場，以及最終建成空間所展現的態度與構築回應。展覽同時積極呈現了對未來的展望，為觀者提供全新的視角，讓其更深入地了解建築的多面向意義，共築未來發展的可能性。

Non-parallel: [ 無 ] 平行: 強調建築實構築過程中的多重維度。

建築乃至人生都是由一系列的選擇組合而成。建築從設計到建造的過程，宛如展開了一個多重宇宙。在這個宇宙中，建築師、業主、營造廠等多方利益相關者的角色交織在一起，形成了平行世界中的互動網絡。

建築作品從需求的萌芽開始，經過設計與施工的每個階段，都受到各種現實環境的限制與挑戰，每個參與者都經歷了無數的掙扎與妥協。然而，作品的最終呈現只是眾多深思熟慮後的其中一個選擇結果。如果我們能將設計過程中的各種抉擇因素攤開來看，建築作品將不再僅有單一性，而是成為一個錯綜複雜、不斷增長的網絡。這個網絡包含了各種背離、匯合與平行的序列，展現出更豐富多樣的可能性。這種豐富多樣的可能性，不僅代表了建築在特定時空脈絡下的決策過程，也反映了當代社會的意涵及複雜性，為我們提供了理解現代建築和社會變遷的一個切片。

2024 年的實構築展將延續其一貫的關注重點：設計、結構、構造之間的相互對話。展覽將透過不同觀點展現從設計概念到建築完工的過程中，設計者及各個營建單位溝通、妥協與堅持的成果。透過描繪這些交織的抉擇網絡和不同可能性，觀眾將被引領進入建築背後的「無」平行時空，理解建築從設計到落地並非單一線性的因果關係，而是在不同時空背景中，綜合了社會現實與未來想像的結果，從而體會建築及營建過程中的複雜性與多樣性。

本次的實構築展覽在臺南美術館舉行，呼應2024臺灣設計展與臺南400年活動，旨在連結臺灣新時代的建築與臺南這座古城的新舊。都市本身就是一座展覽，而都市中的建築物則是其文化的縮影的一部分。盤點府城至今從都市規劃至建築尺度能探討的建築議題，包含探討舊建築的活化、場域邊界的再思考、傳統建材的新應用及建築外層的討論等等，這些討論不僅凸顯出臺南本身的城市特色，也反映出臺灣整體建築脈絡發展。這些議題同時也是當代建築探討的方向，成為本次策展的核心關鍵與論述基礎。

此外，本屆實構築展覽特別邀請了法國波爾多建築中心作為副展策展單位，呈現展覽：[樹]建築 Arboretum: trees as architecture。這場展覽將探索樹木作為建築的隱喻與真實案例，帶來自然智慧與建築設計交織的思考。

Introduction

Architecture + Tectonics, the process of turning drawings and visions into practice.

This exhibition, themed  "Non-Parallel：[ 無 ] 平行" aims to present architectural works completed between 2022 and 2024, following the end of pandemic restrictions. By showcasing these works, we will unveil the interactive state of the multiverse among different architectural entities—architects, construction industries, and clients. The exhibition will outline an architectural world that appears parallel yet intricately interconnected, reflecting not only Taiwan's current reality but also serving as a microcosm of Taiwanese society.

The 19 selected works in this exhibition each reflect various issues faced by contemporary society. Viewers will see different perspectives and positions of architects, construction industries, and clients in addressing these issues, as well as the attitudes and responses manifested in the final built spaces. The exhibition actively presents a vision for the future, providing viewers with a fresh perspective to gain a deeper understanding of the multifaceted meanings of architecture and the potential for future development.

non-parallel: [ 無 ] 平行: Emphasizing the multiple dimensions in the architectural construction process.

Both architecture and life are woven from a tapestry of choices. The journey of architecture, from conception to completion, unfolds like a boundless multiverse. Within this realm, architects, clients, contractors, and other contributors dance together in a symphony of interwoven roles, crafting an intricate web of interaction across parallel worlds.

From the emergence of needs, through every stage of design and construction, architectural works face various constraints and challenges of the real environment. Each participant undergoes countless struggles and compromises. However, the final presentation of the work is merely one of the many possible outcomes after careful consideration. If we lay out the various decision factors in the design process, architectural works will no longer be singular but will become a complex, ever-growing network. This network includes various diverging, converging, and parallel sequences, presenting richer and more diverse possibilities. These possibilities not only represent the decision-making process within specific spatial and temporal contexts but also reflect the meaning and complexity of contemporary society, providing us with a glimpse into understanding modern architecture and social changes.

2024 Tectonic Becoming Exhibition will continue its focus on the dialogue between design, structure, and tectonic. The exhibition will showcase the results of communication, compromise, and persistence among designers and construction teams throughout the process from design concepts to the completion of buildings, through various perspectives. By depicting these intertwined networks of choices and possibilities, the audience will be guided into the multiverse behind architecture, understanding that the journey from design to realization is not a straightforward linear causation but rather a synthesis of social realities and future imaginations within different temporal and spatial contexts, thereby appreciating the complexity and diversity of architectural and construction processes.

This year, 2024 Tectonic Becoming Exhibition will be held at the Tainan Art Museum in conjunction with the 2024 Taiwan Design Expo in Tainan and Tainan 400 event. It aims to bridge the architecture of Taiwan’s new era with the ancient and modern aspects of Tainan. The city itself is a grand exhibition, with each building a fragment of its cultural mirror. A review of the architectural issues explored in Tainan, from urban planning to building scale, includes topics such as the revitalization of historic buildings, rethinking site boundaries, new applications of traditional materials, and discussions on building facades. These discussions not only highlight Tainan's unique urban characteristics but also reflect the overall development of architectural trends in Taiwan. They embody contemporary architectural discourses and form the core themes of this curation.

By visiting the 2024 Tectonic Becoming Exhibition, visitors will engage with Taiwan's architectural innovation in the new era and juxtapose it with the fusion of history and modernity experienced in Tainan. This "exhibition within an exhibition" format reveals diverse possibilities for architectural innovation and urban future thinking within Taiwan's rich historical tapestry.

2024 Tectonic Becoming Exhibition has specially invited the Bordeaux Architecture Center from France to curate the parallel exhibition titled “[樹] 建築 Arboretum: trees as architecture." This exhibition explores the metaphor and practical application of trees as architecture, offering profound reflections on the intersection of natural intelligence and architectural design.

主辦單位｜實構築學會、臺南市美術館

協辦單位｜《實構築》季刊 a+tec、成大建築、arc en rêve centre d'architecture

展覽設計｜嶼山工房

視覺設計｜ Path & Landforms

Organizers｜ Tectonic Becoming Architecture Society, Tainan Art Museum

Co-Organizers｜a+tec, NCKU Architecture, arc en rêve Centre d'Architecture

Exhibition Design｜Atelier Or

Visual Design｜Path & Landforms

參展單位

一口規劃設計顧問有限公司、吳建志賴人碩聯合建築師事務所、侯林建築師事務所、姚仁喜｜大元建築工場、張瑪龍陳玉霖聯合建築師事務所、沈庭增建築師事務所、田中央聯合建築師事務所、禾磊建築_吳明杰建築師事務所、大藏聯合建築師事務所、常式建築師事務所、嶼山建築工房、境衍設計+林柏陽建築師事務所、陳哲生建築師事務所、楊士正建築師事務所、擊壤設計｜黃明威建築師事務所、自然洋行建築團隊、潘冀聯合建築師事務所、古爵誌建築師事務所、Behet Bondzio Lin Architekten & HNSA Architects & Designers 

Exhibitor

Ecoscope Inc., JN Architects, Studio HOU x LIN, KRIS YAO | ARTECH, MAYU architects, Shen Ting Tseng architects, Fieldoffice, Architerior Architects, DZ. Architects, OASIStudio, Atelier Ｏr+Pu-Ming Tseng Architects+, Fieldevo Design Studio+LinBoYang Architects, Ja-Sheng Chen Architects, IHES Design, Studiobase Architect, Design Group & Construction, Divooe Zein Architects, C.C.H Architects, JJP Architects & Planners, Guu Architects & Associates+Lengend Co., Ltd., Behet Bondzio Lin Architekten & HNSA Architects & Designers

策展人｜成功大學建築系 薛丞倫 教授兼系主任
協同策展人｜成功大學建築系 客座助理教授 、Ennead Architects 許智維 建築師
策展團隊｜林伊柔 建築師
副展策展人｜Fabrizio Gallanti 建築師、蔡雯雯 建築師、Eric Dordan 建築師、Leonardo Lella 建築師

Curator｜Cheng-Luen Hsueh, Professor and Chair, Department of Architecture, National Cheng Kung University
Co-curator｜Chih-Wei Hsu, Visiting Assistant Professor, Department of Architecture, National Cheng Kung University, Senior Associate, Ennead Architects
Curatorial Team | Yi-Jou Lin, architect
Sub-exhibition Curator｜Fabrizio Gallanti director, architect; Wenwen Cai, architect; Eric Dordan, architect; Leonardo Lella, architect