詠唱世──人工智慧給人類的一封挑戰信

文 / 羅禾淋

人工智慧過去長期存在於科幻想像中，如今卻在現實中迅速實現。自1997年IBM的「深藍」擊敗卡斯帕洛夫，展現AI在規則明確與高強度計算上的優勢，到2016年AlphaGo運用深度學習與蒙地卡羅搜尋於圍棋擊敗李世乭，AI已從冷靜分析邁向能學習與應變的智能。進入2020年代，以GPT為代表的大型語言模型崛起，AIGC（人工智慧生成內容）工具席捲各大領域，AI成為能夠生成語言、影像、聲音與影片的創作者，並且透過Prompt語意提示與人類互動，形成以「提示工程」為核心的新型創作邏輯。這種Prompt如同魔法詠唱，成為創作的關鍵密語，「詠唱世」的時代正式來臨。

「詠唱世：人工智慧給人類的一封挑戰信」即從這樣的時代背景出發，思索AI如何改變創作的方式與創作者的角色。當AI讓無需受過專業訓練的使用者也能快速生成畫作或程式碼，創作門檻被徹底打破，專業的意義與創意的本質也隨之被重新定義。本展以AI的三個發展階段：協作、共存與融合，構成展覽結構。協作區邀請文學、漫畫、插畫與繪畫創作者，以Vlog方式記錄他們與AI共創的初次經驗與反思；共存區則展示影音、動畫、MV等創作者在AI介入前後的作品對照，呈現AI在既有創作流程中的角色變化；融合區由熟悉程式語言的新媒體藝術家與跨域團隊組成，呈現AI作為創作與觀眾間的「第三方」，探討人機之間的深度融合與互動轉譯。

本展並不將AI視為取代者或是挑戰者，促使創作者重新思考自身定位、創作目的與技術依賴。AI正在改變創作流程與作品評價的基礎，也讓「與AI共創」成為創作者面對未來不可忽視的命題。「詠唱世」不僅是Prompt驅動的創作時代，更是一場藝術家與機器智慧共構未來的實驗與思辨。

The Era of Prompts─A Challenge Letter from AI to Humanity

Lo He-lin

 For a long time, artificial intelligence was considered a sci-fi fantasy. In today’s world, AI has rapidly become an everyday reality. Ever since Deep Blue developed by IBM defeated former chess champion Kasparov in 1997, AI’s clear advantage in rule adaptation and intense computing has been repeatedly manifested. In 2016, AlphaGo outmatched former chess champion Lee Sedol through Monte Carlo methods, marking AI advancement from “cool-headed” analysis to learning and improvisation. Entering the 2020s, the rise of large language models led by GPT swept various fields with AI generated content (AIGC), making AI a creator capable of generating languages, pictures, sounds, and films. A novel means of creativity centered on “prompt engineering” is now in trend. Like a magical chant, prompt has become the portal key to creativity, announcing the advent of “The Era of Prompt.”   

 Given the circumstances, “The Era of Prompt- A Challenge Letter from AI to Humanity” targets not only the changes AI has brought to the creative expression, but also to the role of a creator. When users without professional training are now capable of generating pictures and codes through AI, the bar of creativity has hit an all-time low. The significance of expertise and the essence of creativity are in need of redefinition. This exhibition will be focusing on three stages of AI development: collaboration, symbiosis, and integration. Under the setting, artists from the fields of literature, manga, illustration, and painting are invited to reflect and record their first attempt of human-AI collaboration through vlogs in the “Human-AI Collaboration” section. Meanwhile, the “Human-AI Symbiosis” section presents films, animations, and music videos before and after AI involvements, giving the audience a clear picture of how the role of AI changes a preexisting creative process. For the “Human-AI Integration” section, interdisciplinary teams and new media artists come together for the demonstration of AI as “the third party” that stands between the creators and the audience, and probe into the possibility of deep fusion and interactive interpretation between humans and machines. 

Instead of treating AI as a replacement or contestant, the exhibition aims to trigger reflections on creators’ identity, creative purpose and technology dependence. As AI changes the foundation of creative methods and the value of artworks, it is also making human-AI collaboration an undefiable future. Not only is “The Era of Prompt” featuring a creative era generated by prompts, it stands as an experiment envisioning a future built by critical thinkers, artists, and artificial intelligence in tandem.

藝術家Artists：

凡事設計Any&All Design

冰球樂園icyball

有電互動ART POWER

血多Shadox

吳昱慧Wu Yu-huei

李奕樵Li Yi-chiao

周代焌Chou Tai-chun

林珮淳Lin Pey-chwen

狼七July

陳依純Chen I-chun

黃姿婷&林亭羽&陳羽姍Huang Tzu-ting, Lin Ting-yu, Chen Yu-shan

劉邦耀Liu Bang-yao

橡實洞工作室Acorn Den Studio

策展人：羅禾淋

Curator: Lo He-lin

指導單位：臺南市政府

Supervisor: Tainan City Government

主辦單位：臺南市美術館

Organizer: Tainan Art Museum

董事長：游文玫

Chairman: Yiu Wen-mei

館長：龔卓軍

Director: Gong Jow-jiun

協辦單位：

Co-organizer: 國立臺南藝術大學 動畫藝術與影像美學研究所

Graduate Institute of Animation and Film Art, Tainan National University of the Arts