（10/13-10/24將進行換展，屆時將不開放展間）

 

自荷蘭、西班牙人登陸，歷經清初建城、日本殖民遷都及戰後國府來臺，臺灣在頻繁政治更迭及族裔往來的過程中，積累多元歷史文化遺存，展現流動雜揉的海國徵候。大航海時代以來的異文明接觸及之後的「現代化」，不僅促使其走向世界，更激發文化內視之轉向，藉以創造跨越國界及開放自省進步特質之新文化。猶如雕塑家黃土水百年前提出創造「福爾摩沙時代」的呼籲，不僅未因時間消逝褪色，更成為吾人建構在地意識及知識啟蒙的重大指針。

 

Since the arrival of the Dutch and Spanish, and through the early Qing establishment of urban centers, Japan’s relocation of its colonial capital, and the postwar arrival of the Kuomintang government, Taiwan has accumulated diverse historical and cultural legacies amid frequent political shifts and ethnic exchanges, revealing dynamic, hybrid maritime characteristics. Since the Age of Discovery, encounters with diverse cultures—and the subsequent wave of modernization—have not only propelled Taiwan onto the global stage but also sparked an inward cultural turn. This shift has paved a way for a new culture that transcends borders and embodies openness, introspection, and progress. Much like sculptor Huang Tu-shui’s century-old call to create a “Formosa Era,” this call has not faded with time but instead has become a vital beacon in shaping our local identity and intellectual enlightenment.

 

臺灣百年美術歷程之建構，可謂一部交織在內與外、西與東、新與舊、自然與文明、朝與野、我者與他者等二元框架中，從對立到對話的折衝進程，摸索「現代化」之轉接可能及不斷尋找自身定位的重層歷史。本展覽為梳理此段迂曲過程所蘊含的異變軌跡及複合意義，聚焦1895之前至1950年出生具時代代表性藝術家，以國寶、重要古物等級作品為領銜亮點，展現逾越一世紀豐碩文化遺產與視覺藝術精粹，藉以呈顯宏觀知識啟蒙與主體身分認同的形塑脈絡。

 

Within a framework of binary oppositions—internal versus external, Western versus Eastern, new versus old, nature versus civilization, ruling versus opposition, and the Self versus Other—centuries of Taiwanese art have woven layered history that identifies the possibility of modernization and constantly explores its self-identity throughout the process from conflict to dialogue. To comb through the variations and mixed meanings in this complex process, this exhibition focuses on iconic artists born before 1895 through 1950 and highlights the works regarded as national treasure and significant antiques. By presenting rich cultural heritage and visual artistic essence across a century, the event unveils the overarching context that has shaped both intellectual enlightenment and the formation of subject identity.

 

Artists: Toraji Ishikawa, Shiotsuki Tōho, Pan Chun-yuan, Tsao Jung, Pu Hsin-yu, Ju Jiou-ying, Huang Jiun-pi, Kuo Po-chuan,Tai Chin-nung,Li Mei-shu,Yan Shuei-long,Ran In-ding,Chen Zhi-qi,Huang Ching-shan,Den Nan-gwang,Lee Tze-fan,Ma Pai-sui,Chang Wan-chuan,Liu Chi-shiang,Fu Juan-fu,Chen Ding-chi,Pu Tian-sheng,Hung Jue-lin, Liu Max C.W.,Wong Kun-de,Chang Tsai,Chen Hsia-yu,Tsai Tsao-ju,Liao Te-cheng,Ju De-chiun,Shiu Wu-yung,Lee Ming-tiao,Chin Jun-tso,Hsiao Ju-sung,Chuang Shih-ho,Chen Yin-jye,Yang Yuyu,Lai Chuen-chien,Shen Che-tsai,Chan Fu-yun,Tzeng Pei-yao,Liu Sheng-jung,Lee Tsai-chien,Chen Tao-ming,Ho Kan、Richard Lin,Liang Shiou-jung,Chen Ching-jung,Chuang Che,Pan Yuan-shih,Lin Chih-hsin,Liao Shiou-ping,Cheng Sang-his,Huang Run-se,Liu Gung-yi,Jang Shu-mei,Lee Shi-chi,Chen Huei-dung, Han Shiang-ning,Liou Geng-gu,Ni Chau-lung,Ho Huai-shuo,Wang Sin,A-Sun Wu,Jiang Ming-xian,Hilo Chen,Chang Chao-tang,Haku,Pu Hau-ming,Chen Shui-tsai,Hung Ken-shen,Chen Yang-chun,Yang Wen-ni,Su Sian-fa,Huang Ming-che,Juan I-jong (Sorted by year of birth)