展覽預告Upcoming Exhibitions

皮膚と内臓:自己、世界、時間 Skin and Viscera: Self, World, and Time

皮膚と内臓:自己、世界、時間 Skin and Viscera:Self, World, and Time
皮膚と内臓:自己、世界、時間 Skin and Viscera:Self, World, and Time

名稱 皮膚と内臓:自己、世界、時間 Skin and Viscera: Self, World, and Time

類型 展覽 類型檢索

時間 2025/10/03 10:00 ~ 2026/01/18 18:00 時間檢索

地點 2館1樓展覽室A、2館1樓展覽室B、2館1樓展覽室C、2館1樓展覽室D 地點檢索

  • 本展覽從皮膚與內臟的感知為起點,試圖將自我、世界與時間組織起來。肯定身體接觸和感官經驗,透過從中所產生出來既神秘又具象徵性的表現,探求自我於現代的存在方式,以及如何面對世界的方法。
    同時參照當代藝術的重要理論和思想,引介十位傳承自草間彌生以來的歷代創新藝術家精神的日本新一代女性藝術家。
    這些女性藝術家,在超越男性的性與威權鬥爭的平權社會(扁平社會)中,探索自身,創造出追求新的存在意義的作品。草間彌生在其自傳《無限之網》中曾寫道:「不應該受到舊道德的束縛,要做自己喜歡的事」,展現了在自由中求生存的強力表現。這種精神也引起迴響,成為當代藝術家們的重要課題,且深深影響著他們的創作。
    此外,本展覽以《葬送的芙莉蓮》中主角打敗魔王之後的旅程故事為隱喻,嘗試在主要故事結束後審視自我,重建與他者及「來世」的關係。

     

    指導單位:文化部、臺南市政府
    主辦單位:臺南市美術館
    協辦單位:NPO Syuto Kanazawa、GO FOR KOGEI
    贊助單位:公益財団法人日本台湾交流協会
    特別感謝 / Support:The Japan Creator Support Fund、U.I.J HOTEL & HOSTEL 友愛街旅館
    特別感謝 / Special Thanks:國立成功大學文學院、金沢美術工芸大学、愛貝克思集團、Nakacho Konishi、OKETA COLLECTION、ShugoArts、荒城幸雄、嘉嶋勇一郎、木原健寿、山内徹生

     

     

    Starting from sensations arising from the skin and internal organs, this exhibition intends to connect the self, world, and time. By embracing bodily contact and sensory experiences, it adopts the resultant mysterious and symbolic expression to explore how the self exists today and how it engages with the world.
    Drawing on critical theories and ideas in modern art, the exhibition features ten Japanese female artists of a new generation—carrying forward an innovative artistic spirit from the legendary Kusama Yayoi.
    These female artists move beyond the illusion of egalitarian society (flat society)—involving sexual and authoritarian struggles against men— to explore their own identities and create works seeking new definitions of existence. In her autobiography Infinity Net, Kusama mentioned, “We should not be constrained by outdated morals—we should do what we love,” powerfully expressing the artist’s will to survive within freedom. Such spirit has resonated with many and become a vital calling for contemporary artists, deeply influencing their creation.
    Additionally, the exhibition takes the protagonist’s journey after defeating the Demon King in Frieren: Beyond Journey’s End as a metaphor—encouraging self-reflection following the end of the central storyline and rebuilding relationships with the Other and the world to come.

     

    Supervisor: Ministry of Culture Taiwan, Tainan City Government
    Organizer: Tainan Art Museum
    Co-organizer: NPO Syuto Kanazawa, GO FOR KOGEI
    Sponsorship: Japan-Taiwan Exchange Association
    Support: The Japan Creator Support Fund, U.I.J HOTEL & HOSTEL
    Special Thanks: College of Liberal Arts National Cheng Kung University, Kanazawa College of Art, Avex Creator Agency Inc., Nakacho Konishi, OKETA COLLECTION, ShugoArts, Araki Yukio, Yuichiro Kashima, Kihara Kenju, Yamanouchi Tetsuo

  • 小林万里子、佐合道子、佐々木類、中田真裕、三嶋りつ惠、宮田彩加、牟田陽日、山下茜里、留守玲、綿結(依日文50音順序排列)

     

    Kobayashi Mariko, Sago Michiko, Sasaki Rui, Nakata Mayu, Mishima Ritsue, Miyata Sayaka, Muta Yoca, Yamashita Akari, Rusu Aki, Wata Yui (By Japanese alphabetical order)

  • 策展人:秋元雄史(日本北陸工芸の祭典總監)
    展覽團隊:薄井寬、高山健太郎、高井康充、柯春如、莊東橋

     

    Curator: Akimoto Yuji (Artistic Director, Go for Kogei)
    Coordinator: Usui Hiroshi、Takayama Kentaro、Takai Yasumitsu、
    Ko Chun-ju、Chuang Tong-chiao