臺南市美術館 × 河床劇團《未來身體·夢境之間》是一項劃時代的計畫，結合了河床劇團廣受好評的XR沉浸式體驗「之間」（Blur），以及由一群具創新精神的國際藝術家共同參與的跨領域展覽。此展演延續台南市美術館一貫的策展使命，致力於向觀眾介紹前衛的藝術創作，探索並重新定義視覺藝術與表演藝術之間的邊界。
繼場場爆滿的威尼斯影展、國家兩廳院及臺中國家歌劇院演出後，河床劇團將在臺南首度呈現其混合實境作品「之間」，該作曾獲《富比士》（Forbes）讚譽為「前所未見的藝術體驗」。作品融合了360度虛擬實境（360VR film）、擴增實境（AR）、動作捕捉、沉浸式裝置以及數位動畫。國際媒體《Medium》更讚揚「『之間』為未來的沉浸式藝術樹立了新標竿」。
與演出同步登場的展覽「In Between」是一個跨領域展覽，以複製與基因工程為主題。參展的22位海內外藝術家的作品涵蓋了雕塑、繪畫、素描、攝影、版畫及錄像藝術等多種媒材，呈現未來身體與人類想像的多重維度。

編導/策展人 郭文泰

Tainan Art Museum x Riverbed Theatre: Future Body – In the Dreamscape is a ground-breaking project combining Riverbed Theatre's critically acclaimed XR experience, Blur, and an interdisciplinary exhibition featuring works by a group of innovative international artists. Future Body continues TAM's mission to introduce audiences to cutting-edge work that is redefining the boundaries between the visual and performing arts. After sold-out performances at the 2025 Venice Film Festival, Taiwan National Theatre, and the National Taichung Theatre, Riverbed Theatre is staging the Tainan premiere of their mixed reality production Blur, which Forbes magazine praised as “unlike anything I have ever seen.” Combining 360VR film, augmented reality, motion capture, an immersive installation, and digital animation, the critic for the arts journal Medium celebrated Blur for “setting the bar for immersive arts for years to come.” Staged in conjunction with the performance, In Between is a multidisciplinary exhibition that explores themes of cloning and genetic engineering. The artwork by the group of 21 Taiwanese and international artists includes sculpture, painting, drawing, photography, printmaking, and video art.

Author/Director/Curator  Craig Quintero

(1) 「In Between」展覽介紹：
世界上許多問題都源自於人類過度強調界線的清晰性。社會教導我們去在意各種界線，從國與國之間的疆界、男女之間的生理差異，到更根本的「我們」與「他們」之間的隔閡。然而，儘管我們竭盡全力去劃定和維持這些界限，卻始終存在著一種流動性，一種朦朧、介於邊界之間、充滿可能性的空間，將我們連接在一起。於是，我們逐漸學會質疑那些過於簡單化的二分法：善與惡、科學與自然、身體與心靈、夢境與現實，並讚賞那些規則鬆動、潛能顯現的時刻。這不僅是外在平行宇宙的存在，更是一個親近而無限的內在宇宙，它從地表之下湧現，在我們的肌膚之下脈動。無時無刻，都蘊藏著無限的可能性。
本次展覽「In Between」探討了創作的多樣性，涵蓋藝術、戲劇和科技之間的交會。作為XR體驗計畫「之間」的姊妹篇，展覽一方面揭示此計畫的幕後發展歷程，另一方面串聯其他藝術家的既有作品，從藝術或其他視角延伸對身份、道德與進步的討論。反思在這個快速變化的時代，我們能夠堅守哪些價值？哪些真理依然存在？
「In Between」展覽匯集了來自加拿大、美國和臺灣等22位跨領域藝術家的作品。預計展示作品包含藝術家過往或全新創作，與XR體驗計畫的概念相互啟發，讓觀眾得以從不同角度看見計畫背後的思考路徑與脈絡。作品涵蓋AI輔助版畫、攝影、影像、繪畫和多媒體拼貼，體現《未來身體·夢境之間》計畫對跨界性和混合性的融合美學與未來發展。

So many of the world’s problems derive from mankind’s over-emphasis on the clarity of boundaries. Society has taught us to focus on everything from the physical borders dividing nations and the physiological distinctions between males and female to, more fundamentally, the gap separating “us” from “them.” But despite all the efforts to draw and maintain these distinctions, there is always a fluidity that connects, a hazy, liminal realm of possibilities. And so, we gradually learn to question overly simplistic dichotomies—good/evil, science/nature, body/mind, dream/reality—and we celebrate the moments of slippage when the rules are subverted and the infiniteness of potentials is revealed. It is not just the existence of parallel universes “out there” but a more intimate and limitless “in here,” bubbling up from under the earth’s surface, pulsing beneath our skin. At all times, infinite possibilities.
This exhibition explores this creative multiplicity, embracing the intersections between art, theatre, and technology. Designed as a companion piece to the XR experience Blur, the exhibition simultaneously provides audiences with an opportunity to experience behind-the-scene glimpses of the project’s development while also integrating other artworks that provide new insights and artistic lenses to reflect on issues of identity, morality, and progress. In these rapidly changing times, what values can we hold onto? What truths remain?
In Between incorporates artworks by Canadian, America, and Taiwanese artists that were created during and inspired by the development of the XR experience, providing audiences with a behind-the-scene glimpse of the project. The artworks include AI-assisted prints, photography, video, painting, and multi-media collage, embodying the exhibition’s emphasis on interdisciplinarity and hybridity.

(2) 「之間」演出介紹：

這部作品使人目眩神迷，創意大膽且極為動人。——衛報
技術與藝術皆令人驚嘆！ —— 威尼斯日報
「之間」是前所未見的沉浸式體驗，帶來嶄新、驚喜而深刻的感受。——富比士雜誌

倘若我們能戰勝死亡？

1993 年《侏羅紀公園》上映時，恐龍復活似乎只存在於好萊塢電影中。30年後的今天，富人能夠透過複製技術，讓寵物起死回生，科幻小說成為了現實，我們生活在一個死亡不再意味著終點的年代。
「之間」是一場結合現場表演與虛擬實境的混合實境劇場，編織出一場數位幻境。觀眾將沉浸於一個超現實的空間裡，探索生命與死亡、現實與虛構之間那條曖昧不明的界線。隨著旅程展開，觀眾將步入層層變換的景觀，親身感受科技發展帶來如同魔術般的奇蹟與震撼。

 An XR immersive theater experience
What if we could defeat death?
When Jurassic Park was released in 1993, resurrecting dinosaurs seemed like something only possible in Hollywood films. Now, three decades later, fiction has become reality, as the wealthy can clone their deceased pets and “bring them back to life.” We are living in an age in which death no longer means the end.
Blur is a mixed-reality theater experience that explores this liminal state between life and death, fact and fiction. The production immerses the ten audience members in a surreal world that integrates a live performer with the digital wonders of virtual reality. The audience journeys through an unfolding landscape, encountering firsthand the magical possibilities and terrifying consequences of these scientific advancements. The future is present. Step into the unknown.

製作團隊：
河床劇團有限公司︱
河床劇團於1998年成立，以意象為主的「總體劇場」模糊了視覺藝術與表演藝術間的界線。評論家讚賞其有機、雕塑般的「潛意識」劇場作品，可與山繆．貝克特及大衛．林區最精湛的作品相提並論。已搬演超過五十部原創作品，演出足跡遍及日、韓、新、法、德、美等國。2022年成立公司，致力於VR與XR作品。XR作品連續四年（2022-2025）入選威尼斯影展，並獲得盧森堡城市電影節最佳沉浸式體驗大獎、加拿大新影像影展最佳全景獎及高雄電影節最佳VR360獎。

Riverbed Theatre was founded in 1998 in Taipei, Taiwan. The company’s image-based, Total Theatre productions blur the boundaries between visual and performing arts. Critics have praised the organic, sculptural quality of Riverbed’s “subconscious” theatre, comparing the performances to the best works of Samuel Beckett and David Lynch. Riverbed has staged over fifty original productions, including works at the Taiwan National Theatre, National Taichung Theater, Asia Culture Center (Korea), Esplanade Studio Theatre (Singapore), Theatre de la Condition de Soies (France), Imaginale Figurentheater Festival (Germany), Kobe Arts Village Center (Japan), and Robert Wilson’s Watermill Center (USA). In 2022, the company established Riverbed Theatre Ltd. to focus on producing VR and XR productions. Riverbed’s virtual reality films have been selected for the Venice Film Festival for four consecutive years (2022-2025) and have won the Best Immersive Experience Award at the Luxembourg City Film Festival, the Panorama Award at the Festival du Nouveau Cinema, and the Best VR360 Award at the Kaohsiung Film Festival.

PHI工作室︱
位於加拿大蒙特婁，專精於以使用者體驗為導向的沉浸式場域體驗。其創新的製作方式、技術專業及在新型敘事形式的成就，讓PHI工作室在加拿大及國際上皆享有盛譽。工作室與全球主要產業合作夥伴及各大影展合作，參與了許多屢獲殊榮的計畫，致力於塑造沉浸式體驗的未來。PHI工作室被譽為人才孵化器，亦是推動多學科沉浸式專案概念與實現的催化劑。

PHI Studio, from Montreal, specialises in immersive location based experiences with a user experience-driven focus. Recognized locally and internationally for its innovative production approach, technical expertise, and achievements in new forms of storytelling, PHI Studio collaborates with major global industry players and festivals and has worked on many award-winning projects, shaping the future of the immersive experience. PHI Studio has developed a reputation as an incubator for talent, as a catalyst for the conception and implementation of immersive multi-disciplinary projects.

歐納西斯文化︱
以具指標性的場館—歐納西斯文化中心為核心，是希臘當代文化具領導地位的單位，透過多元的計畫與作品，連結雅典及其他地區。以各類講座與活動，促進對民主、社會正義、性別平等及 LGBTQIA+ 社群人權的討論。歐納西斯文化支持藝術發展、創作與實驗，製作表演、電影和跨領域作品，同時為新銳與資深藝術家提供獎助金及駐地計劃。它在數位平台上不斷推出符合時代脈動的內容，將在地與全球緊密交織，成為生活不可或缺的一部分。

Onassis Culture, centered around the iconic Onassis Stegi venue—the leading organization in contemporary culture in Greece—connects with Athens through a range of initiatives and works set across the city and beyond. It fosters dialogue on democracy, social justice, gender equality, and the human rights of the LGBTQIA+ community through a series of talks and events. Supporting artistic development, creation, and experimentation, Onassis Culture produces performances, films, and hybrid works while offering fellowships and residencies to both emerging and established artists. With a constant online presence, it creates content that speaks to the present moment. This is culture in sync with the here and now, embracing the local and the global as intertwined aspects of life.

前衛視覺藝術與XR／AI劇場實驗計畫製作人：龔卓軍
Producer: Gong Jow-jiun

「In Between」
策展人：郭文泰
Curator: Craig Quintero
藝術家：安德魯．考夫曼、卡爾．強生、郭文泰、愛德華．蘭克托–貝諾瓦、艾蜜莉‧尤爾凱維茲、巫雲鳳、林恬君、林純用、陳昶志、張恩慈、蘇聖揚、蘇匯宇（依字母筆畫順序排列）
Artist: Andrew Kaufman, Carl Johnson, Craig Quintero, Édouard Lanctôt-Benoit, Emily Yurkevicz, Wu Yun-feng, Lin Tien-chun、Lin Chung-Yung, Chen Chang-chih, Chang En-tzu, Su Sheng-yang, Su Hui-yu
展覽團隊：吳堉田、吳岱芳、葉素伶
Coordinator: Wu Yu-tien, Daisie Wu, Suling Yeh

「之間」（Blur）
編導 Author/Director︱郭文泰 Craig Quintero、菲比．格林伯格 Phoebe Greenberg
製作人 Executive Production︱科琳．德爾貝爾 Coline Delbaere、茱莉．特倫布萊 Julie Tremblay、葉素伶 Su-Ling Yeh、普羅德羅莫斯．齊亞沃斯 Prodromos Tsiavos
視覺體驗設計顧問 Visual Experience Supervision︱梅拉妮．庫爾蒂納 Mélanie Courtinat
現場演員 Casting （on site）︱張寗 Ning Chang
VR 360演員 Casting （VR 360°）︱張寗 Ning Chang、林夏至 Lin Sia-jhih、鄭筑勻 Vanessa Cheng、莊凱雯 Chuang Kai-wen、李綾 Avery Lin、林向 Hsiang Lin、李博瑞 Alfonso Lee、王昶皓 Wang Chang-hao、簡于宸 Chien Yu-chen Chien、沈秀玲 Sheng Shiou-ling
動作補捉演員 Casting（MoCap）︱瑪克辛．丹尼斯 Maxine Denis、蓋辛．莫格 Gesine Moog、莊凱雯 Chuang Kai-wen、李綾 Avery Lin、林向 Hsiang Lin、李博瑞 Alfonso Lee、相枚錞 Hsiang Mei-chun、陳歆淇 Chen Xin-qi、菲比．格林伯格 Phoebe Greenberg
編舞支持 Choreography Support︱愛德華洛克Edouard Lock
舞台設計 Stage Design ︱郭文泰 Craig Quintero、卡爾．強生 Carl Johnson
音樂 Music︱王榆鈞 Wang Yu-jun
聲音設計 Sound Design︱高勤倫 Kao Chin-lun
FMOD技術整合 FMOD intergration |吳柏毅 Wu Bo-yi
互動開發 Interactive Development︱PHI工作室 PHI Studio
創意開發 Creative Development︱托馬斯．阿祖格Thomas Azoug、愛德華．蘭克托–貝諾瓦 Édouard Lanctôt-Benoît、奧雷爾．夏納爾 Aurèle Chanal
沉浸式劇場設計 Immersive Theater Design︱河床劇團 Riverbed Theatre

3D 物件、環境和視覺特效 3D assets, environments and VFX︱互動行為工作室 Behaviour Interactive
VR360製作 360° Filmmaking︱睿至股份有限公司 Funique VR
動態補捉 Motion Capture︱實驗室7、遊戲開始動畫工作室 LAB 7 & Game On
容積擷取 Volumetric Capture︱IP 內容實驗室 IP LAB(created with HOLOSYS by 4DViews, www.4DViews.com)

演出執行：
舞台監督 Stage Manager | 鄭栢玔 Jheng Bo-chuan Jheng
體驗管理 Tech Master | 楊慶之 Yang Ching-chih
體驗服務 Docent | 陳怡瑄 Chen Yi-hsuan、相枚錞 Hsiang Mei-chun
舞台美術及道具執行 Scenic and Props Execution | 陳昶志 Chen Chang-chih
舞台技術指導 Stage Technical Director | 許致甄 Hsu Chih-chen
舞台技術 Stage Technician | 鑫典藝術有限公司 XD Art
燈光技術 Lighting Technician |鄭栢玔 Jheng Bo-chuan、吳昱勳 Wu Yu-hsun、何祚石 Ho Tso-shih
宣傳執行 Marketing Specialist | 張晏綸 Chang Yen-lun
網路及影像設備 Network and Video Equipment | 密特拉影像工作室 Mitras Studio

製作及支持：
「之間」共製單位︱加拿大PHI工作室、臺灣河床劇團有限公司、希臘歐納西斯文化
Co-produced by PHI Studio,Riverbed Theatre Ltd., Onassis Culture
「之間」製作支持單位︱加拿大媒體基金（加拿大）、文化內容策進院（台灣）、文化企業發展協會（加拿大）、歐納西斯文化（希臘）
Supported by FMC / CMF, TAICCA, SODEC, ONASSIS CULTURE
「之間」計畫內容製作獲文策院未來內容國際合資或合製支持
This Project is supported by the TAICCA’s Innovative Content Grant for International Co-Funding or Co-Productions
「之間」展演呈現夥伴︱國家兩廳院
Official Presentation Partners: National Theater & Concert Hall
「之間」臺灣演出執行單位︱河床劇團
Performances in Taiwan are executed by Riverbed Theatre
「之間」臺灣演出合製單位︱臺灣當代文化實驗場
Co-producer of Performances in Taiwan:Taiwan Contemporary Cultural Lab(C-LAB)

計畫製作人：龔卓軍
Producer: Gong Jow-jiun

「之間」編導 ：郭文泰 、菲比．格林伯格
Author/Director: Craig Quintero, Phoebe Greenberg

「In Between」策展人：郭文泰
Curator: Craig Quintero

指導單位：臺南市政府
Supervisor: Tainan City Government
主辦單位：臺南市美術館、河床劇團
Organizer: Tainan Art Museum, Riverbed Theatre
補助單位：文化部
Granting Authority: Ministry of Culture Taiwan
特別感謝：富華大飯店
Special Thanks: Fuward Hotel

《未來身體·夢境之間》XR劇場實驗計畫「之間」
演出日期：2025.12.05-2025.12.28，每周五、六、日，單日演出6場
場次時間：10:00、11:00、13:00、14:00、15:00、16:00
演出地點：臺南市美術館1館 展覽室H
售票連結：https://www.opentix.life/event/1968480361205301248

10/15(三)中午12:00至10/30(四)早鳥優先搶購享8折優惠
10/31(五)正式啟售
◇兩廳院付費會員購票享９折優惠。
◇南美館會員9折優惠。
◇身障人士及其陪同者1人購票可享５折優惠（入場時請出示證件）
※以上優惠只限一種，恕不提供雙重折扣。

＊憑當日演出票券，可重複進入臺南市美術館1館及2館參觀展覽（限當日）。

展演須知
開放時間：每場次整點入場。
演出全長：全長約45分鐘，無中場休息（含穿戴設備，實際XR體驗約35分鐘）。
字幕語言：VR頭戴裝置提供華語、英語、法語發音選擇，聽障人士提供字幕閱讀，請另向工作人員提出需求。
到場注意事項：
　＊上午10:00場次驗票入場地點為臺南市美術館1館大門口，其餘場次為該館2樓展覽室H入口處。
　＊建議16歲以上觀眾觀賞；不開放遲到觀眾入場。